A nourishing exhibition in development with Michelle Gagliano
Artists Michelle Gagliano and Beatrix Ost are collaborating on a body of work in the midst of an unprecedented pandemic. Inspired by the differing narratives in one another’s work, the artists aim to listen and respond to each other, similar to the “call and response” arrangement found in jazz music. The culmination of their collaboration will result in multiple works created together, as well as their individual work juxtaposed and exhibited together. Conscious of how few female artist collaborations there have been in the past 50 years, Gagliano and Ost are having a “conversation” through the shared canvas. While Ost’s work belongs to the surrealists, Gagliano’s work belongs to the abstracted landscape. The combination of the two narratives makes visible their connection on canvas and sculpture.
Collaboration as an Act of Intimacy: The vision is to show the connectedness between humans and nature - the psychological influence of the seasons, and the power of two minds. Many of the collaborative paintings were created using a technique that artists call “Cadaver Exquisite” to create together in a chamber of intimate respect. Ost and Gagliano would pass paintings back and forth without explanation or instruction - for a common thought of impact.
These works celebrate humans and nature in all in that shared unspeakable yearning of survival. The vision of this exhibition is a teaching one. Gagliano is the alchemist of light and Ost is the visionary of the future. The exhibition opens in the abstract and falls into surrealism as a manifest of surprise, into the museum’s catalog of our mind. Reality is the only moment that is true; everything else is surreal.
Daring to Be, daring to Become. Anger is a tremendous energy source; some use it as a fire to burn and destroy, others use it as fuel to build and ignite. But, the beauty of sitting with an empty mind, there is no place an artist would rather be than here, and now, so the artist can see herself where they all together are. The exhibition will include five parts, plus an introductory entrance space. The number 5 represents many aspects in life - the human body and our physical world (5 major continents). 5 major color themes are also throughout many of the works.
The complete installation includes over 90 artworks. This exhibition is a completely immersive experience that also embraces all of the other four senses beyond the visual. Though not interactive, the sense of touch is represented by the vibrant textures of the works both as sculptural installations and paintings. There is also an audio soundtrack playing in each of the rooms - seducing the sense of sound with a symphony of music and nature sounds. For the sense of smell the natural scent of roses from rose oil will fill the experience. For taste, images of food and sculptural food items will be presented- real dried mushrooms and real baked bread.
Room 1 // The Promise
In this darkened room, the floor is covered with black rice, which is a historical allusion to the Chinese tradition of Emperor’s forbidden black rice which was only available to the upper class. Gilded objects from nature like stones and sticks are buried in the rice. We want to offer this plentiful rice as nourishment to all children. Five gilded children’s chairs sit in the center. Five is a recurring motif throughout the exhibition: five continents, colors of the Olympic flag, and parts of the human body. The chairs and rice create a hopeful tableau. But, gilded branches above cast a shadow over them. Paintings from the “Nature Nurture” series are on the walls.
Room 1 - Collection
In “Symbiotic Tango”, our conversation continues with a continuing path of black rice with five additional gilded wooden chairs and objects from nature. Around the room are 5 sets of 9 paintings - titled “Symbiotic Tango”.The five chairs once sitting in serenity in the previous room have now tumbled askew. The seats of humanity are now at level with the rice and objects of nature. This room also holds a collection of five groups of nine paintings, each made with one color of the Olympic flag. Hidden within the abstract paintings are endless treasures and situations. The work required to interpret each scene practices the viewer to look deeper into nature itself, and the endless treasures hidden there. The title of each panel of each work completes a unique poem for each set of 5 paintings.
Room 2 // Symbiotic Tango
Room 2 - Collection
Room 3 // Nature Nurture
In this room, the viewer is presented with a huge installation of Hanging Spheres: 5 various sized balls of gilded twisted vines containing golden objects representing 5 major continents of the world. Each of these balls are suspended above 5 ceramic bowls that have been broken and then repaired using Kintsugi treatment all resting on white rice. Surrounding the installation is a series of 5 paintings titled “Nature Nurture”. The chairs and black rice of beauty are replaced with bleached white rice dotted with plastic objects. Sitting among this are the broken and partially repaired clay bowls of differing sizes and forms. Above the tainted rice hangs gilded spheres of twigs which appear as beautiful jewels but are poisoned by everyday pollution inside. Each sphere contains everyday objects of humankind, like a shoe, plastic utensils, trash, toys, etc. On the walls are paintings attempting to excavate the form and beauty of nature, but which are also threatened by a kind of human decay
Room 3 - Collection
Room 4 // Beauty is Harsh
This room is flanked by two large canvas curtains painted with earth and holding sculptural masks (ceramic faces), embroidered mice. A table adorns the center of the room made of gilded wood surrounded by 5 bails of hay. The table contains another ceramic bowl - this one not fully repaired with its cracked pieces falling around it containing a
large loaf of fresh baked bread. Text adorns the wall of Beatrix Ost’s “Beauty is Harsh: Thoughts and Ongoing Inspirations”. This room also includes two sets of natural paintings by Michelle Gagliano and a painting by Beatrix Ost
The room welcomes visitors with its floor covered in straw. In the middle stands a modest gilded dinner table, holding aloft a large cracked bowl within which a loaf of bread sits. The straw underneath is the discarded waste left over from our daily bread. Within the straw also lays the shattered remains of broken bowls, symbolizing the scarcity of food. Beside the scene are two large linen wall hangings. Each curtain is decorated with scenes of the circus of irresponsibility, painted with Red Earth Clay. The wall hangings
also feature clay face masks and embroidered dead mice. Gilded sticks and leaves also hang suspended in this chaotic scene of human folly and nature’s perseverance. Abstract paintings depicting the reclamation of nature hang on either side of the entryway, as well as another painting portraying the king of nature’s possession of the Amazon.
Room 4 - Collection
Room 5 // Look From The Edge
In the final room of the exhibition we are presented with a straw goddess sculpture laying supine on a metal cart. The straw figure rolled in gilded bindings is adorned with dried fresh mushrooms. In the center of the room is “The Last Tree” - a gilded tree surrounded with suspended “Nests” made of blown glass filled with natural elements. The room is completed with another series of seven paintings titled “Perpetuity Question”. The floor is once again covered in straw as viewers walk in on the reclining form of a straw body. The body is partially gilded; she lays on a wheeled gurney and is burdened by a corset of lead. Mushrooms sprout out of her body, signaling nature taking over. The lead corset is reminiscent lead poisoning, and among the straw at their feet plastic objects of artifice. Lovely looking packaged food and medicine are scattered here. The paintings on the walls depict scenes of personified nature, angry at its injury by man’s hand. Blocking the exit stands The Last Tree, gilded and exposed. From the branches hang birds’ nests encased in glass globes. It is an altar of devotion to Nature’s immeasurable beauty. But it is threatened and solemn, asking to be protected and recognized.
